It’s a scene that could have been lifted straight from the set of Stanley Kubrick’s 1964 cinematic classic Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Gleaming in gelatin silver, five US Army men, decorations hanging from the breast pockets, stare knowingly (longingly?) at a large model rocket, with the text ‘UNITED STATES’ printed vertically along its white shaft. How can a single image, taken for press purposes (we assume) hold so much innuendo? Peter Voigt dubs these subjects, charmingly, “Rocketmen”.